When tracks first appeared in DJ sets and on garage mix albums circa 2000, they made for an interesting change of pace; instead of hyper-speed ragga chatting or candy-coated divas (or both), listeners heard banging tracks hosted by a strangely conversational bloke with a mock cockney accent and a half-singing, half-rapping delivery. It was, producer and MC, the half-clued-up, half-clueless voice behind club hits 'Has It Come to This? C5d Tree Farmer Manual. ' And 'Let's Push Things Forward.' Facing an entire full-length of tracks hardly sounded like a pleasant prospect, but 's debut,, is an excellent listen -- much better than the heavy-handed hype would make you think. Unlike most garage LPs, it's certainly not a substitute for a night out; it's more a statement on modern-day British youth, complete with all the references to Playstations, Indian takeaway, and copious amounts of cannabis you'd expect. Also has a refreshing way of writing songs, not tracks, that immediately distinguishes him from most in the garage scene.

Listen free to The Streets – Original Pirate Material (Turn the Page, Has It Come to This? 14 tracks (47:03). Audio Production Torrent Sites more. Released on 25 May 2002 (UK), Original. Find a The Streets - Original Pirate Material first pressing or reissue. Complete your The Streets collection. Shop Vinyl and CDs. Find album reviews, stream songs, credits and award information for Original Pirate Material - The Streets on AllMusic - 2002 - When Streets tracks first appeared in DJ sets and&hellip.

True, describing his delivery as rapping would be giving an undeserved compliment (you surely wouldn't hear any American rappers dropping bombs like this line: 'I wholeheartedly agree with your viewpoint'). Still, nearly every song here succeeds wildly, first place (after the hits) going to 'The Irony of It All,' on which and a stereotypical British lout go back and forth 'debating' the merits of weed and lager, respectively ('s meek, agreeable commentary increasingly, and hilariously, causes 'Terry' to go off the edge). The production is also excellent; 'Let's Push Things Forward' is all lurching ragga flow, with a one-note organ line and drunken trumpets barely pushing the chorus forward. 'Sharp Darts' and 'Too Much Brandy' have short, brutal tech lines driving them, and really don't need any more for maximum impact. Though club-phobic listeners may find it difficult placing as just the latest dot along a line connecting quintessentially British musicians/humorists/social critics,,,,, and, is a rare garage album: that is, one with a shelf life beyond six months.